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	<title>Comments on: About</title>
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	<link>http://leestranahan.com</link>
	<description>Lee Stranahan</description>
	<lastBuildDate>Wed, 08 Sep 2010 21:17:31 +0000</lastBuildDate>
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		<title>By: Matt</title>
		<link>http://leestranahan.com/?page_id=2&#038;cpage=1#comment-2440</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Sat, 04 Sep 2010 17:08:04 +0000</pubDate>
		<guid isPermaLink="false">http://leestranahan.com/?page_id=2#comment-2440</guid>
		<description>Hi Lee,

I am very impressed with what you do from what I see.

I saw your video concerning the Pentax K-x.

I am thinking about going into the world of photography shooting weddings. I am looking at the Pentax K-x. I am getting it primarily for the video recording however I want to be able to snap pictures when needed. 

In my research I came across your review of the camera. Did Pentax correct the major auto focus issue? Is this a good camera to start out with?

Also, I am looking for a good but inexpensive video editing software. I downloaded the Corel Videostudio ProX software to try. The only draw back is that am not able to creat a menu like the Ulead video software has.

What are your recommendations?

Thanks for your time and expertise!!!
Matt

Since my finances are low in getting started this would be a great starter camera.</description>
		<content:encoded><![CDATA[<p>Hi Lee,</p>
<p>I am very impressed with what you do from what I see.</p>
<p>I saw your video concerning the Pentax K-x.</p>
<p>I am thinking about going into the world of photography shooting weddings. I am looking at the Pentax K-x. I am getting it primarily for the video recording however I want to be able to snap pictures when needed. </p>
<p>In my research I came across your review of the camera. Did Pentax correct the major auto focus issue? Is this a good camera to start out with?</p>
<p>Also, I am looking for a good but inexpensive video editing software. I downloaded the Corel Videostudio ProX software to try. The only draw back is that am not able to creat a menu like the Ulead video software has.</p>
<p>What are your recommendations?</p>
<p>Thanks for your time and expertise!!!<br />
Matt</p>
<p>Since my finances are low in getting started this would be a great starter camera.</p>
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		<title>By: Vfxinator</title>
		<link>http://leestranahan.com/?page_id=2&#038;cpage=1#comment-1007</link>
		<dc:creator>Vfxinator</dc:creator>
		<pubDate>Wed, 24 Feb 2010 12:11:16 +0000</pubDate>
		<guid isPermaLink="false">http://leestranahan.com/?page_id=2#comment-1007</guid>
		<description>To Chris,
We in the UK do have a union. It is called bectu and is actively working on all sorts of issues that effect us (I am also a VFX artist) and generally supporting workers and making sure hard won empolyment law is enforced. 

http://www.bectu.org.uk/home

To Lee Stranahan,

A very brave article to write, Many thanks for hightlighting this issue. I look forward to hearing the response from James Cameron&#039;s camp.
</description>
		<content:encoded><![CDATA[<p>To Chris,<br />
We in the UK do have a union. It is called bectu and is actively working on all sorts of issues that effect us (I am also a VFX artist) and generally supporting workers and making sure hard won empolyment law is enforced. </p>
<p><a href="http://www.bectu.org.uk/home" rel="nofollow">http://www.bectu.org.uk/home</a></p>
<p>To Lee Stranahan,</p>
<p>A very brave article to write, Many thanks for hightlighting this issue. I look forward to hearing the response from James Cameron&#8217;s camp.</p>
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	<item>
		<title>By: Chris</title>
		<link>http://leestranahan.com/?page_id=2&#038;cpage=1#comment-992</link>
		<dc:creator>Chris</dc:creator>
		<pubDate>Fri, 19 Feb 2010 19:31:16 +0000</pubDate>
		<guid isPermaLink="false">http://leestranahan.com/?page_id=2#comment-992</guid>
		<description>Hi Lee

I Just wanted to thank you for writing &quot;an open letter to James Cameron&quot; which as a visual FX artist in London I found such an astute and necessary article. 

I have been working in the top end of the VFX film industry for the past 10 years in Soho at companies such as &quot;The Moving Picture Company, Double Negative, Framestore, Cinesite and The Mill&quot; amongst others. 

Due to tax incentives introduced by the government in the UK the VFX industry has thrived and grown rapidly in the past decade. Whilst this is a positive thing, and the fledgling VFX industry has grown into a huge industry, the rights of the workers within it have been largely ignored.  Points you raised in your article about the long-term welfare, both financially and physically have been of a growing concern to me. 

The industry in made up of about 80 percent contact artists such as myself. We work for these companies on long contracts often a year or longer with none of the security of a permanent job and none of the benefits of freelance work. Further to this there is a distinct lack of career progression available once you get to a senior level largely due to effemeral nature of the industry as a whole i.e. companies mushroom for big projects then shrink dramatically and shed everyone but the core staff.

Anyhow I hope something positive will happen in the wake of your article even if it starts a discourse which paves the way for a permanent change and healthier, happier conditions for workers in this industry

kind regards
Chris</description>
		<content:encoded><![CDATA[<p>Hi Lee</p>
<p>I Just wanted to thank you for writing &#8220;an open letter to James Cameron&#8221; which as a visual FX artist in London I found such an astute and necessary article. </p>
<p>I have been working in the top end of the VFX film industry for the past 10 years in Soho at companies such as &#8220;The Moving Picture Company, Double Negative, Framestore, Cinesite and The Mill&#8221; amongst others. </p>
<p>Due to tax incentives introduced by the government in the UK the VFX industry has thrived and grown rapidly in the past decade. Whilst this is a positive thing, and the fledgling VFX industry has grown into a huge industry, the rights of the workers within it have been largely ignored.  Points you raised in your article about the long-term welfare, both financially and physically have been of a growing concern to me. </p>
<p>The industry in made up of about 80 percent contact artists such as myself. We work for these companies on long contracts often a year or longer with none of the security of a permanent job and none of the benefits of freelance work. Further to this there is a distinct lack of career progression available once you get to a senior level largely due to effemeral nature of the industry as a whole i.e. companies mushroom for big projects then shrink dramatically and shed everyone but the core staff.</p>
<p>Anyhow I hope something positive will happen in the wake of your article even if it starts a discourse which paves the way for a permanent change and healthier, happier conditions for workers in this industry</p>
<p>kind regards<br />
Chris</p>
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