About

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I’m Lee Stranahan; an American writer, filmmaker, photographer, multimedia artist and teacher. This site is my personal stomping ground and gateway to my other sites, work, and projects. I’m a regularly featured blogger for the Huffington Post, and I love talking to artists, writers and entrepreneurs who are living interesting lives of their own creation. I’ve interviewed people like best-selling author Seth Godin, filmmaker Kevin Smith, musician Amanda Palmer and more.

Career highlights include…

  • Five years as a staff artist / animator at NBC Burbank for Access Hollywood
  • Produced YouTube videos with millions of views & featured on CNN, L.A. Times and more
  • Featured writer on a wide variety of topics at one of world’s top websites, The Huffington Post
  • Hosted dozens of instructional videos and have taught seminars to thousands, all over world
  • Produced and directed projects from 35mm feature film to corporate videos to stock footage
  • Visual Effects Supervisor and artist on TV and film projects

Email : Stranahan@gmail.com

Telephone / Test Message :505 750-7477

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AOL : The Stranahans

Yahoo: Lee Stranahan

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{ 2 comments… read them below or add one }

Chris February 19, 2024 at 7:31 pm

Hi Lee

I Just wanted to thank you for writing “an open letter to James Cameron” which as a visual FX artist in London I found such an astute and necessary article.

I have been working in the top end of the VFX film industry for the past 10 years in Soho at companies such as “The Moving Picture Company, Double Negative, Framestore, Cinesite and The Mill” amongst others.

Due to tax incentives introduced by the government in the UK the VFX industry has thrived and grown rapidly in the past decade. Whilst this is a positive thing, and the fledgling VFX industry has grown into a huge industry, the rights of the workers within it have been largely ignored. Points you raised in your article about the long-term welfare, both financially and physically have been of a growing concern to me.

The industry in made up of about 80 percent contact artists such as myself. We work for these companies on long contracts often a year or longer with none of the security of a permanent job and none of the benefits of freelance work. Further to this there is a distinct lack of career progression available once you get to a senior level largely due to effemeral nature of the industry as a whole i.e. companies mushroom for big projects then shrink dramatically and shed everyone but the core staff.

Anyhow I hope something positive will happen in the wake of your article even if it starts a discourse which paves the way for a permanent change and healthier, happier conditions for workers in this industry

kind regards
Chris

Vfxinator February 24, 2024 at 12:11 pm

To Chris,
We in the UK do have a union. It is called bectu and is actively working on all sorts of issues that effect us (I am also a VFX artist) and generally supporting workers and making sure hard won empolyment law is enforced.

http://www.bectu.org.uk/home

To Lee Stranahan,

A very brave article to write, Many thanks for hightlighting this issue. I look forward to hearing the response from James Cameron’s camp.

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